Dark fantasy illustration, heavy black ink outlines, dramatic rim lighting with glowing highlights, flat cel shading with gritty texture, a palette of void black, bone white, ember orange and ghostly teal. tattered black robes, a velvet cloak with gold clasps, a bone-plated chest piece over a robe, a ragged burial shroud, a judge's dark gown, a smoke-stained monk's habit, in blacks, deep purples and dried-blood red Re-roll note, apply it on top of the above: Draw a complete new set from scratch (the old pictures are not sent).
Avoid these problems from last time: Only 59% opaque over the body; the base shows through the torso. There is also a flat dark block between the torso and the right arm.; Only 57% opaque over the body; the base shows through. The dark gap block at the right side is visible.
The bone-coloured plates also read as the character's own ribs rather than a separate material.; Only 58% opaque over the body; the base shows through.
Th The base character's pose: head and body turned about 40 degrees so the face points to the viewer's right: the far eye partly hidden behind the nose, the far cheek narrower, one ear visible; framed from the crown (near y=110) to about belly-button height with the arms in frame; the body continues PAST THE BOTTOM EDGE of the canvas: the frame crops it at about belly-button height, so the torso runs straight off the bottom with no visible end, outline, rounded bottom or empty space below it (never a floating bust); arms relaxed at the sides, nothing in front of the chest; extra detail from the creator: head tilted slightly down, looking up from under the brow, a slow menacing stance.
FOR THE BASE ONLY: the hand that will hold the item is raised OUT TO THE SIDE of the body at about shoulder height, the upper arm angled away from the torso and the forearm upright, so the hand and forearm are entirely clear of the chest and belly and never cross in front of the body; the hand is in a loose EMPTY grip, fingers curled around nothing; the other arm hangs relaxed at the side, and the item itself is NOT drawn on the base: it is a separate In hand layer added later; draw every item in that pose and perspective.
Anatomy of this character to respect: Bare skull with no ears or hair, tilted down and turned to the viewer's right with a long tapering jaw ending in a point near y=560; the neck is a thin exposed spine set behind and left of the skull, so collars and chains wrap the vertebrae and rest on the collarbones around y=640. The torso is an open ribcage with no flesh, so clothing must drape over bare ribs.
Draw 15 jumper variants as separate 1024x1024 RGBA PNG layers for a generative PFP collection, matching the attached base character's rendering style, lighting and line weight exactly. Colours and materials come from the request and the item itself (felt, leather, brass, wool, glass, fabric), NOT from the base character's skin or bone: an item must never look made of the character's own surface.
Make the 15 variants clearly different from each other in shape, material and colour, covering the full range the request names.
Placement: A COMPLETE GARMENT WORN ON THE ATTACHED BASE, at eye level in the base's own facing and perspective: the base's neck passes DOWN INTO the garment's neck opening.
NECKLINE: the front of the collar crosses the neck at y=640, where the neck meets the shoulders; that is the garment's top edge over the neck, and no fabric goes above it in front of the neck or throat, so the base's own neck shows from the jaw down to y=640.
Draw only the front of the collar: its back is behind the neck and is not drawn, the neck hole is never filled with fabric, and its inside, back wall or lining never shows (that makes an empty garment sitting in front of the body).
COLLAR FIT: at y=640 the collar meets the neck's own outlines at x=400 and x=490, hugging it with no gap of skin between collar and neck. Every collar style (crew, hoodie, polo, V-neck) sits on that same line; a V-neck is a short notch in the front of the collar, never a deep drop to the collarbone with bare chest showing. The garment runs from the neckline to the bottom edge y=1024 and spans x=5..1024 (40px wider than the shoulders each side).
NO jewellery, chains, necklaces, pendants or chain prints on any garment: those are a separate layer. ARMS ARE IN FRAME in this pose: the garment has sleeves that follow BOTH of the base's arms down to the wrists, covering them opaquely, including the raised arm in its raised position.
The base's HANDS are not part of the garment: leave every hand fully transparent from the wrist (the raised hand is at about (935, 640)) so the base's own hand shows through; NEVER paint skin, a patch, a box or a hole around a hand. HOODS are only ever DOWN, drawn as a soft rolled collar lying on the shoulders around the neck; nothing of a hood rises above y=640, and never a hood up.
The garment is opaque everywhere it covers (torso, shoulders, sleeves) so the base body never shows there. Collars and lapels belong to this layer. This layer is painted IN FRONT of the character, so never draw anything that should be behind it (the back of a hood, the back of a chain, the back of a hat brim behind the head): it would show in front.
Only the jumper pixels; everything else fully transparent. Write artifacts/jumper_01.png .. jumper_15.png and artifacts/jumper.json: an array of {"file","name","weight"} with weights summing to 100, rarer lower.
